Sam Suggs, Bass and Elizabeth Dorman, Piano

March 17, 2026
Concert photo

Program

Resonant Earth

Sam Suggs: Postlude: Petrichor for bass

J. S. Bach: Prelude from Cello Suite No. 2

Giacomo Meyerbeer, Sam Suggs, arr.: Valse Infernale from Robert le Diable

Robert Fuchs: Four Pieces for double bass and piano

Sam Adams: No Solo for bass and piano

Joseph Haydn (lost, completed by Sam Suggs): Concerto in D Major for contrabass, Allegro

Samuel Coleridge-Taylor, Sam Suggs, arr.: Variations in B Minor

Draft Punk/Sam Suggs: Variations after Around the World

 

Program Notes

Acknowledged for his “precise technique, interpretive vision, and impeccable musicianship” (Boston Globe), Sam Suggs cultivates a versatile career as a collaborative and creative double bassist. On the faculties of the Yellow Barn Chamber Music Festival and James Madison University, Sam is one of Strad Magazine’s “five up-and-coming bass players” and a winner of the International Society of Bassists and Concert Artists Guild competitions.

As a bassist-composer, he breaks boundaries with “brilliant and compelling programming” (The Strad) and execution that “quite simply boggled the mind” (Oregon Arts Watch). He has guest performed with the Saint Paul Chamber Orchestra, Orpheus Chamber Orchestra, Alarm Will Sound, and Eighth Blackbird.

As a recording artist, he is the featured bass soloist/arranger in the soundtrack for Netflix’s Oscar Award-winning documentary The Only Girl in the Orchestra, and his solo in the 2024 video game Pacific Drive “had a haunting and yearning quality that beautifully conveyed the concept of isolation” (Polygon).

Son of birdwatchers and an alum of the Greater Buffalo Youth Orchestra, he has a doctorate from the Yale School of Music and has taught masterclasses all over the world, including at the Curtis Institute, Colburn School, New England Conservatory, and Juilliard Shanghai Summer Strings.

This summer, he released the premiere recording and edition of Melodic Etudes, produced and composed by jazz legend Rufus Reid, became a sponsored Thomastik-Infeld Artist, and received the biennial Special Recognition Award for Composition from the International Society of Bassists. @s3suggs

Dr. Elizabeth Dorman is an active member of MTNA, CAPMT, and the MTAC. Her students have gone on to study professionally at schools including the Peabody Conservatory of Music, NYU, and Stony Brook University, and have performed in venues including Carnegie Hall, Merkin Hall, and the Baruch Performing Arts Center. She teaches piano, chamber music, and musicianship at the Crowden Music Center in Berkeley, chamber music at California Music Preparatory Academy and privately at her studios in San Francisco and Albany, CA.  Previously, she has taught at Stony Brook University and the San Francisco Conservatory of Music Pre-College.  She has given masterclasses at Icicle Creek Music Center, Pacific Lutheran University, Stony Brook University, the San Francisco Conservatory of Music, and others, and she currently serves on the board of the Ross McKee Foundation.

Praised by Joshua Kosman of the San Francisco Chronicle for her “crisp, brightly finished” playing and her “elegance and verve,” pianist Elizabeth Dorman received the 2017 Father Merlet Award from Pro Musicis and was a finalist in the 2018 Leipzig International Bach Competition.  Dr. Dorman freelances as a soloist and chamber musician and is based in Berkeley, CA.  She has appeared at international festivals including Tanglewood, Britt, Sarasota, Aspen, Toronto Summer Music, Icicle Creek, has twice been an Artist-in-Residence at the Banff Centre, and her live solo performances have been nationally broadcast on NPR and public radio.  She has performed as a soloist and chamber musician at important venues including the Kennedy Center, Davies Symphony Hall, Herbst Theater, Leipzig’s Hochschule für Musik “Felix Mendelssohn Bartholdy,” and has performed with internationally recognized artists, including Colin Carr, Jennifer Frautschi, Teddy Abrams, and Martin Chalifour.

Dr. Dorman studied with Gilbert Kalish at Stony Brook University, where she also developed and taught the Piano Pedagogy program while completing her D.M.A.  During her time at Stony Brook, she also served as Head Piano Teaching Assistant, where her duties included teaching and managing the undergraduate piano program.  A native of San Francisco, CA, Dr. Dorman began her training with Paul Hersh at the San Francisco Conservatory of Music, where she also studied double bass with Stephen Tramontozzi.  Important other mentors also include Robert Levin, Ian Swensen, the Emerson String Quartet, Christina Dahl, Wu Han, and Emanuel Ax.