Erich Korngold: Four Pieces from the incidental music from Shakespeare’s Much Ado About Nothing, Op. 11
Lera Auerbach: Prelude for Cello and Piano, No. 12 in G-sharp Minor
Robert Schumann: Five Pieces in Folk Style for Cello and Piano, Op. 102 (1,2,5)
Henriette Bosmans: Sonata for Cello and Piano in A Minor
California-based Evan Kahn has been praised as “a cellist deserved of serious listening” for bringing his “electrifying … nuanced and colorful” style to all of his collaborations, from concerti to chamber music to contemporary performances. He has commissioned and premiered over 60 works by composers from around the world, including his father’s Cello Concerto.
Evan holds principal positions in four orchestras — New Century Chamber Orchestra, Symphony San Jose, Opera San Jose, and the San Jose Chamber Orchestra. Dedicated to the orchestral craft, he also performs with the Cleveland Orchestra, Los Angeles Opera, San Francisco Opera, San Francisco Symphony, and as acting principal cellist with the Britt Music and Arts Festival. In April/May 2018, he served as Artist-in-Residence with Performance Today at NPR, sharing some of his favorite works for cello and his philosophies on music and life. In February 2019, he was named Musical America’s New Artist of the Month. He is the resident cellist for a number of Bay Area small ensembles, including Ninth Planet, After Everything, the Farallon Quintet, and the Kobold Quartet.
Evan attended Aspen Music Festival on a fellowship for four summers, where he studied with Darrett Adkins and played co-principal in the Aspen Academy of Conducting Orchestra, the Aspen Contemporary Ensemble, the Aspen Philharmonic as an Orchestral Leadership Fellow. Other off-seasons were spent playing chamber music at the Taos School of Music, as a resident cellist at the Cactus Pear Music Festival in San Antonio, and at the New York String Orchestra Seminar, where he served as principal cellist.
Evan received a Master’s in Chamber Music at the San Francisco Conservatory of Music, studying with Jennifer Culp. He graduated with college and university honors from Carnegie Mellon University, studying with David Premo. Before college, he took lessons in Los Angeles with John Walz, Timothy Loo, and Karen Patch. Other important mentors include Paul Hersh, Thomas Loewenheim, Amos Yang, Mark Kosower, Robert DeMaine, and Bonnie Hampton.
In addition to performing and teaching, Evan enjoys playing Dungeons and Dragons, watching British television, and playing with his cat. He plays on a cello by Carlo Carletti, c. 1900, and a bow by Jacob Eury.
Amy Zanrosso’s playing has been hailed as expressive, magnetic, and masterful but since no one at the New York Times has said this, she’s not allowed to put it in quotes. Her first touch of a keyboard was a two-octave electric organ that her parents had found who knows where. She enjoyed picking out tunes like O Sole Mio and Ode To Joy until her cousin decided to show her Heart and Soul on an acoustic piano. That’s the moment Amy fell in love. Thanks to her attentive and industrious Italian immigrant mom, piano lessons started at the age of 6, and by the age of 15, Amy had made the decision to make music her life. A few years later she was accepted into the University of Victoria in British Columbia, Canada where, in Bruce Vogt’s studio, she realized that she had way too much to learn and would always be in awe of the absolute force that is music. Bruce’s wisdom and humor still influence her life today and she will always be thankful for his guidance in those early years of learning what playing the piano really meant.
As a soloist, Amy is addicted to the thrill of performing with an orchestra. Since 2016, concerto repertoire, similar to chamber music but on steroids, has forced her to push her limits, helping make her into the confident and electrifying player she always hoped to be. She has appeared as a soloist with the Symphony of the Kootenays, the Russian Chamber Orchestra, and the Contra Costa Chamber Orchestra. Her intense love of chamber music has led her to more fully admire and explore her favorite composers while sharing the experience with countless inspiring, dedicated players and appreciative audiences. In addition to freelancing in the Bay Area with various musicians and ensembles, the RossoRose Duo, founded in 2015, keeps Amy and violinist Alisa Rose occupied learning and performing repertoire from Beethoven to Auerbach.
After her Bachelor’s, Amy furthered her studies for a few years in Italy and then completed a Master’s Degree at McGill University in Montreal. Her life was filled with a wealth of chamber music and was rounded out by some Broadway musicals, German cabaret, and a number of years in an Argentine tango quintet. In 2014, Amy moved from Montreal to the Bay Area with her partner Dave and her dog Roscoe. She is currently based in Oakland. Since the big move, Amy went on tour to China with the GRAMMY award-winning Pacific Boychoir, rehearsed Beethoven’s 9th Symphony with Gustavo Dudamel at the podium, and was the pianist for Chorissima, the five-time GRAMMY award-winning San Francisco Girls Chorus Premier Ensemble throughout the 2017–18 season.
Like performing, Amy finds teaching to be a highly rewarding part of a musician’s life. She is a faculty member and chamber music coach at the Pre-College Academy of the San Francisco Conservatory of Music as well as at The Nueva School in Hillsborough, CA. She is constantly fueled by her fantastically inspiring students and enjoys forcing her favorite composers on them as well as telling them what to do. Amy is looking forward to all the superb music, musicians, students, and enthusiastic audiences that will come her way in the future. Many thanks to Beethoven and Brahms for inspiring her to come this far – she wouldn’t change a thing. For more information, please visit www.amyzanrosso.com.