Claude Debussy: Beau Soir; La plus que lente
Gabriel Fauré: Andante, Op. 75
Pyotr Ilyich Tchaikovsky: Valse Scherzo in C Major, Op. 34
George Gershwin: Selections from Porgy and Bess arranged by Jascha Heifitz
Johannes Brahms: Sonata for Violin and Piano No. 3 in D Minor, Op. 108
This Program is Sponsored by the Helen von Ammon Fund for Emerging Artists
Nigel Armstrong is emerging as a dynamic and creative artist both within and beyond the realm of classical music. From his musical beginnings as a member of “The Little Fiddlers” in Sonoma, CA to collaborations with tango musicians in Argentina he’s enjoyed using the violin in a versatile manner throughout his life.
As soloist Nigel has performed with orchestras such as the Dusseldorf Symphony, the Los Angeles Chamber Orchestra, the St. Petersburg Philharmonic, YOA Orchestra of the Americas, and the Boston Pops, and with conductors including Sir Neville Marriner and Carlos Miguel Prieto. He received the 2nd Prize, the Ole Bull Prize, and the Nordheim Award at the 2010 Menuhin Competition Senior Division in Oslo, Norway, and got the 4th Prize plus the Prize for the Best Performance of the Commissioned Work (STOMP, by John Corigliano) at the XIV International Tchaikovsky Competition. As a chamber musician, his concerts have taken him across the US and abroad–highlights have included opportunities to share the stage with the Tokyo String Quartet and pianist Jonathan Biss.
Nigel feels fortunate to have had the chance to explore great orchestral literature throughout his career. Since 2009 he’s appeared as concertmaster with the Colburn Orchestra, LA’s American Youth Symphony, the Curtis Symphony Orchestra, YOA Orchestra of the Americas, and the New York String Orchestra in their annual Carnegie hall performances. Beginning in the 2016/17 season he serves as concertmaster of the Santa Cruz Symphony.
A graduate of the Colburn School and the Curtis Institute of Music, Nigel’s teachers have included Arnold Steinhardt, Robert Lipsett, Zaven Melikian, and Donald Weilerstein, among others. He also recently had the opportunity to live with and learn from the Plum Village community founded by Buddhist monk Thich Nhat Hanh, where he spent a year working on their organic farm and taking part in their daily life, an experience for which he continues to be grateful.
Yi-Fang Wu’s love affair with music took over her existence after she had already graduated from National Tsing-Hua University in Taiwan where she majored in English Literature. She arrived at the Cleveland Institute of Music and earned a Master’s Degree in Piano Performance studying with Paul Schenly and Daniel Shapiro. CIM was the very first music school in her life, and there she quickly absorbed music theory, history, and everything else at a dizzying pace during the two-year program. Her life transformed even further after discovering that her heart not only belonged to solo performance but also in musical interactions with others. She immediately joined the Collaborative Piano program to formally train with Anita Pontremoli at CIM. It was the most exciting period during which Yi-Fang developed a love of string repertoire, and has since then collaborated with many wonderful chamber musicians while also being a staff pianist and chamber coach of San Francisco Conservatory’s Pre-College division. Yi-Fang has performed at the Eastern Music Festival, The Quartet Program, Miami Music Festival, International Music Festival and Workshop in Germany, and Savonlinna Music Festival in Finland.