Intermezzo Op. 118, No.1 in A Minor
Intermezzo Op. 118, No. 2 in A Major
Romance Op. 118, No. 5 in F Major
Liebeslieder Waltzes, Op. 52
Hungarian Dance No. 5 in F-sharp minor
Acclaimed for her “heart-breaking poignancy” and “beautifully tuned soprano” by the San Francisco Chronicle and for her “enchanting vocal splendor” by the Leipziger Volkszeitung, soprano Shawnette Sulker is a sought-after artist in the United States and abroad. A consummate performer, her recent operatic roles include singing The Queen of the Night (The Magic Flute) with Opera Fairbanks and Hamster in the contemporary opera Animal Tales (Brazelton) with the Garden State Philharmonic in New Jersey. Recent concert performances include singing as a soloist for Fremont Symphony’s Valentine’s Day Concert, Beethoven’s Symphony No. 9 with the Santa Rosa and Peninsula Symphonies, and Orff’s Carmina Burana with Sacramento Choral Society & Orchestra. Internationally, Ms. Sulker has sung Adele throughout the Netherlands and Belgium in a tour of Die Fledermaus, a recital at Red Door Studios in Amsterdam, and an orchestra concert featuring Porgy and Bess highlights and Mendelssohn’s Psalm 42 in Leipzig’s Gewandhaus and Prague’s Smetana Hall.
The soprano has sung with the San Francisco Opera, Mark Morris Dance Group, American Bach Soloists, Hawaii Opera Theatre, Opera Memphis, Eugene Symphony, Union Avenue Opera, Opera Naples, Pacific Opera Project, West Edge Opera, and the Natchez Opera Festival, to name a few. Her roles include Zerbinetta (Ariadne auf Naxos), Cunegonde (Candide), Constanze (Abduction from the Seraglio), Lucy (The Telephone), Musetta (La Bohème), Susanna (Le nozze di Figaro) and Lauretta (Gianni Schicchi). Some works on Ms. Sulker’s concert repertoire list include Mozart’s Grand Mass in C minor, Bach’s Jauchzet Gott in allen Landen, Mozart’s Exsultate, Jubilate, Bach’s Mass in B minor, and Scarlatti’s Su le sponde del Tebro. Upcoming engagements will feature her performing the soprano solos in Rossini’s Stabat Mater with the Oakland Symphony and in The Messiah with Pacific Chamber Symphony and Brahms’ Liebeslieder Waltzer for Noontime Concerts.
Carl Blake (pianist) holds three degrees in piano performance: Bachelor of Music (magna cum laude) from Boston University, Master of Arts from San Jose State University, and Doctor of Musical Arts from Cornell University. Dr. Blake has performed three times in Weill Recital Hall (formerly, Carnegie Recital Hall) and has toured in Russia, France, England, Central and South America, and the Caribbean Islands as Artistic Ambassador for the United States Department of State. Currently, he serves as Director of Music of The Church for the Fellowship of All Peoples in San Francisco and teaches piano in his private studio in Oakland. Mr. Blake is an advisory board member of SF Noontime Concerts.
Bill Quist (pianist) was educated at the esteemed Interlochen Arts Academy in Michigan for five years on a Van Cliburn Scholarship. His education continued with chance meetings and coaching with Ned Rorem, Calvin Simmons, Michigan Opera’s founder David DiChiera and Noel Lee (American/Parisian composer and pianist). Quist has performed with the San Francisco Symphony in Davies Hall, the Concord Pavilion and the Design Center as an extra pianist and celesta player, and rehearsal pianist and singer with the San Francisco Symphony Chorus. His choral experience includes being a charter member of the San Francisco Choral Artists (Reference Recording’s Star of Wonder) and singing with Berkeley’s Sacred and Profane Choir and Singers Marin’s a capella group, Just Voices. He is published with RCA, BMG-Sony, Hal Leonard of Chicago and Windham Hill with his clear take on Erik Satie.